The Resurrection of a Cult Classic: 'Going Down' Returns
The world of cinema is witnessing a remarkable revival as a long-forgotten Australian film, 'Going Down', emerges from the shadows, thanks to a serendipitous discovery and the passion of those involved. This film, a snapshot of a bygone era, holds a special place in the heart of musician James Reyne, who rose to fame with Australian Crawl. But its story is intertwined with tragedy and the enduring power of art.
A Love Story and a Loss
Reyne's journey began at the Victorian College of the Arts, where he met the charismatic Vera Plevnik, a talented actress from the year above. Their romance blossomed, but fate had other plans. Plevnik's life was tragically cut short in a car accident in 1982, just as her career was taking off. She had almost finished filming 'Going Down', a gritty drama directed by Haydn Keenan.
What makes this story particularly poignant is the personal connection Reyne had with the film. He contributed the opening song, 'What's It Like', which plays over a scene that captures the essence of Sydney's party scene at the time. This film wasn't just a project for Reyne; it was a tribute to his lost love.
A Snapshot of a Time and Place
'Going Down' is more than just a film; it's a time capsule. Set in Sydney, it revolves around four young women, including Plevnik, on a final night out before one of them leaves for New York. The film authentically portrays the drug culture and social dynamics of the era, as Reyne reminisces about the shared houses and parties that defined their youth.
The cast is a who's who of Australian talent, with David Argue, Esben Storm, and even a young Claudia Karvan making appearances. This ensemble captures the energy and grit of the time, making the film a cultural artifact as much as a piece of entertainment.
Rediscovery and Revival
The film's journey to the present is a tale in itself. After a lukewarm reception in Australia, it was all but forgotten until American filmmaker Elizabeth Purchell stumbled upon it in a New York video store. She was captivated by its female-centric narrative and the soundtrack, which featured iconic Australian bands.
Thanks to Purchell's enthusiasm and Keenan's connections in the film industry, 'Going Down' was restored in 4K and given a second chance. This restoration process, a labor of love, has breathed new life into the film, making it look better than ever before.
A New Audience, a New Appreciation
The film's return to Australian cinemas is a testament to its enduring appeal. Reyne's enthusiasm for the revival is palpable, as he recognizes the film's raw energy and its portrayal of young women, a rarity in Australian cinema at the time. Keenan, too, is thrilled that a new generation will discover this hidden gem, offering a glimpse into a different era of filmmaking.
What's fascinating is how the film's themes and aesthetics resonate across generations. The struggles and joys of youth, the vibrant nightlife, and the sense of freedom portrayed in 'Going Down' are universal, transcending its 1980s setting. This is a film that speaks to the past and the present, bridging the gap between generations.
Tragedy and Triumph
The story of 'Going Down' is bittersweet. While it celebrates the talent of Plevnik and the creative energy of its time, it also serves as a reminder of the fragility of life and the unpredictability of fate. Keenan's words about Plevnik's death echo the sentiment that great talent was lost too soon.
Yet, the film's resurrection is a triumph, ensuring that Plevnik's legacy lives on through her work. It's a powerful reminder that art can transcend time and tragedy, offering a glimpse into a world that was and inspiring new audiences along the way.
In my opinion, the revival of 'Going Down' is more than just a cinematic event. It's a journey through time, a celebration of a lost era, and a testament to the enduring power of storytelling. As it finds a new audience, it invites us to reflect on the past, appreciate the present, and embrace the timelessness of great cinema.
